showing 100 of 238 results matching creditline:"Vermillion Archival Collection, The John R. Van Derlip Fund". (load 138 more)

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from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; kneeling man; PL hand holding seashell to ear

%C2%A9 Nicolas Africano

Listening to a Seashell, Learning Patience, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man seated in a chair with his back to the viewer; he reads from a paper in his lap; citations from the poem 'Wessex Heights' are displayed in front of him like a muse or thought bubble; a tree with bright green leaves behind him; the words "Reading Wessex Heights/August 1987" inscribed, UC; predominant colors: blue, grey and green

%C2%A9 Nicolas Africano

Study for "Reading Wessex Heights", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
A man in long pants and no shirt; he faces forward in a chair and holds flowers in his lap; a lit cigarette in his PR hand; cream background

%C2%A9 Nicolas Africano

Study for "May 1987" from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long dark pants; he sits in the foreground; A large tripod-like object on his L; a barren tree on his R; the words "An Occasion for Hope.", inscribed, UC; predominant colors: brown, green and yellow

%C2%A9 Nicolas Africano

Study for "An Occasion for Hope" from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Nude man covered from the waist down in a towel; he faces forward in the direction of the viewer; the words "I'm Cold Billy/Can't Stop Shaking" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "I'm Cold Billy, Can't Stop Shaking", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in the middleground naked from the waist up; he sits in a chair facing forward and gestures with his hands; the words "February March April May/He talks to himself at night" inscribed, UC

%C2%A9 Nicolas Africano

Study for "He Talks to Himself at Night", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man wearing baggy pants and hat with round brim facing left; foliage in PL hand; cigarette in PR hand

%C2%A9 Nicolas Africano

May 1987, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of 8 hand-colored lithographs housed in a beige linen and muslin gauze folding portfolio case with gray stamped lettering on the inside flap.

%C2%A9 Nicolas Africano

Learning to Clean Himself, 1988

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Full length view of a man naked from the waist up; he faces forward in a chair with a lit cigarette in his PL hand; legs turned slightly PL; the words "Forgiving" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "Forgiving", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man seated in a chair facing away from viewer reading book; text " Well time cures hearts/of tenderness" repeated four times

%C2%A9 Nicolas Africano

Reading Wessex Heights, August 1987, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man in full view, wearing a wide rimmed hat and long pants; he faces forward in a chair; his body turned slightly; a cigarette in his PR hand; three sparrows at his feet; the words "July Among Sparrows" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "July Among Sparrows", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long pants; he drags a heavy object behind as while he walks; the words "March 1988/He tried to carry something too large./He felt like he was falling" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "March 1988 - He Tried to Carry Something Too Large, He Felt Like He Was Falling", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he sits in a chair facing forward while he cuts his own hair; the words "Haircut" inscribed, UC

%C2%A9 Nicolas Africano

Study for "Haircut", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man standing with hands on hips; baggy pants; no shoes, shirt or hat

%C2%A9 Nicolas Africano

He Laughed, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man seated on ground fishing; tree at left, pole at right

%C2%A9 Nicolas Africano

An Occasion for Hope, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man in the middleground naked from the waist up; he sits in a chair facing forward and gestures with his hands; the words "February March April May/He talks to himself at night" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "He Talks to Himself at Night", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Suite of 8 hand-colored lithographs housed in a beige linen and muslin gauze folding portfolio case with gray stamped lettering on the inside flap.

%C2%A9 Nicolas Africano

Reading Letters, 1988

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man kneeling in the sand holding a conch up to his PL ear; he wears long pants and no top; the words "Listening to/a seashell./Learning Patience" inscribed, UC

%C2%A9 Nicolas Africano

Study for "Listening to a Seashell, Learning Patience", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long dark pants; he sits in the foreground; A large tripod-like object on his L; a barren tree on his R; the words "An Occasion for Hope.", inscribed, UC; yellow and brown background

%C2%A9 Nicolas Africano

Study for "An Occasion for Hope", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man seated in chair, looking left; smoking

%C2%A9 Nicolas Africano

Forgiving, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Full length view of a man naked from the waist up; he faces forward in a chair with a lit cigarette in his PL hand; his legs turned slightly to the viewer's R; the words "Forgiving" inscribed, UC

%C2%A9 Nicolas Africano

Study for "Forgiving", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
A man in long pants and no shirt; he faces forward in a chair and holds flowers in his lap; the words "May 1987" inscribed, UC

%C2%A9 Nicolas Africano

Study for "May 1987", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length portrait of a man in long pants, naked from the waist up; he stands facing the viewer with his hands on his hips; the words "He laughed" inscribed, UC

%C2%A9 Nicolas Africano

Study for "He Laughed", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long pants; he drags a heavy object behind him as he walks; the words "March 1988/He tried to carry something too large./He felt like he was falling" inscribed, UC

%C2%A9 Nicolas Africano

Study for "March 1988 - He Tried to Carry Something Too Large, He Felt Like He Was Falling", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length rendering of a man naked from the waist up; he faces forward in a chair with a lit cigarette in his PL hand; legs turned slightly PL; the words "Forgiving" inscribed, UC; dark cream background

%C2%A9 Nicolas Africano

Study for "Forgiving", from the Portolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Nude man covered from the waist down in a towel; he faces forward in the direction of the viewer; the words "I'm Cold Billy/Can't Stop Shaking" inscribed, UC; cream background

%C2%A9 Nicolas Africano

Study for "I'm Cold Billy, Can't Stop Shaking", 1990

Nicolas Africano

Not on View
Suite of eight untitled etchings housed in a maroon linen buckram folding portfolio case, with gold-stamped lettering

%C2%A9 Bruce A. Anderson

Untitled, 1988

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man seated in a chair with his back to the viewer; he reads from a paper in his lap; the words "Reading Wessex Heights/August 1987..." scrawled in UR quadrant, followed by a citation from the poem (Wessex Heights, 1896)

%C2%A9 Nicolas Africano

Study for "Reading Wessex Heights, August 1987," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Suite of eight untitled etchings housed in a maroon linen buckram folding portfolio case, with gold-stamped lettering

%C2%A9 Bruce A. Anderson

Untitled, 1988

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Full length portrait of a man in long pants, naked from the waist up; he stands facing the viewer with his hands on his hips; the words "He Laughed" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "He Laughed," from the portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Man in a wide rimmed hat and long pants; he drags a heavy object behind him while he walks; the words "He tried to carry something/too big. He felt like he would fall." scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "March 1988-He Tried to Carry Something too Large, He Felt Like He was Falling," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
A man in long pants and no shirt; he faces forward in a chair and holds flowers in his lap; "May 1987/Lilacs and Smoke" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "May 1987," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Man in full view, wearing a wide rimmed hat and long pants; he faces forward in a chair; his body turned slightly PL; the words "July Among Sparrows." scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "July Among Sparrows," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Suite of eight untitled etchings housed in a maroon linen buckram folding portfolio case, with gold-stamped lettering

%C2%A9 Bruce A. Anderson

Untitled, 1988

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man kneeling in the sand holding a conch up to his PL ear; he wears long pants and no top; the words "Listening to/A Seashell/Learning Patience" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "Listening to a Seashell, Learning Patience," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he faces forward in a chair, smokes a cigarette; his legs turned slightly to the right; the words "Forgiving" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "Forgiving," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Man in a wide rimmed hat and long dark pants; he sits in the foreground; A large tripod-like object PL; a trunk-like projection on PR; the words "An Occasion for Hope." scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "An Occasion for Hope," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Man in full view wearing nothing but a towel around his waist; he stands facing in the direction of the viewer; the words "I'm Cold Billy/Can't Stop Shaking" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "I'm Cold BIlly, Can't Stop Shaking," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
A man in long pants, naked from the waist up; he sits in a chair, facing forward and gestures with his hands; the words "February March April May/He talks to himself at night" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "He Talks to Himself at Night," from the portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he sits in a chair facing forward while he cuts his own hair; "Haircut" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "Haircut" from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Running Naked, 1991

Sam Gilliam

Not on View

%C2%A9 1988 Sabina Ott

New Science / Landscape, 1988

Sabina Ott; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The New Dance Ensemble, 1982

Harmony Hammond

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Calla Lily, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

%C2%A9 1983 Steven Sorman

Each (Other ) -- To, 1983

Steven Sorman

Not on View

%C2%A9 T. L. Solien

Untitled (Landscape with dwelling), 1982

T.L. Solien

Not on View
From a suite of four color lithographs. The mat and frame were designed by the artist.

%C2%A9 1982 Hollis Sigler

They Were Right, They Are Perfect, 1982

Hollis Sigler

Not on View

%C2%A9 Estate Adja Yunkers

Immobile Sun XXI-A, 1982

Adja Yunkers

Not on View
From a suite of four color lithographs. The mat and frame were designed by the artist.

%C2%A9 1982 Hollis Sigler

There Is a Doubt, She Could Be Right, 1982

Hollis Sigler

Not on View

%C2%A9 David Rathman

Serenade, 1984-1986

David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Estate Adja Yunkers

Immobile Sun XXI-B, 1982

Adja Yunkers

Not on View
Study for a modern dance poster

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Study for "New Dance Ensemble" Poster, 1982

Harmony Hammond

Not on View
Suite of 8 hand-colored lithographs housed in a beige linen and muslin gauze folding portfolio case with gray stamped lettering on the inside flap.

%C2%A9 Nicolas Africano

Flowers for Bill, 1988

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Estate Adja Yunkers

Immobile Sun XXI, 1982

Adja Yunkers; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Estate Adja Yunkers

Icon III, 1983

Adja Yunkers

Not on View
Diptych

%C2%A9 Lynn Klein

Double / Absent, 1983

Lynn Klein; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Estate Adja Yunkers

A Moment into Eternity II, 1982

Adja Yunkers; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 David Saunders

Lear, 1983

David Saunders

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Sonia Resika, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

%C2%A9 Nicolas Africano

Camille, 1989

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
From a suite of four color lithographs. The mat and frame were designed by the artist.

%C2%A9 1982 Hollis Sigler

She Always Thought She Was Wrong, 1982

Hollis Sigler

Not on View

%C2%A9 Estate Adja Yunkers

Immobile Sun XXI-C, 1983

Adja Yunkers

Not on View
Diptych

%C2%A9 T. L. Solien

The Nightwatchman, 1982

T.L. Solien

Not on View

%C2%A9 1983 Steven Sorman

Each (Other) - From, 1983

Steven Sorman

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man facing front wearing baggy pants; hat with round brim at alight angle; vegetation in PR hand

%C2%A9 Nicolas Africano

May - Before the Storm, Still Human, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 David Saunders

Saint Joan, 1983

David Saunders

Not on View

%C2%A9 T. L. Solien

Only He Can Wield That Deadly Stroke, 1988

T.L. Solien; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Calla Lily, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

%C2%A9 David Saunders

Sea of Troubles, 1983

David Saunders

Not on View

%C2%A9 Duncan Hannah%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Jump Rope (Crimson), 1990

Duncan Hannah; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Full length portrait of a man in a wide rimmed hat, clothed from the waist down; he holds a bushel of flowers in his PL hand and faces the viewer; the words "May before the storm" inscribed, UR

%C2%A9 Nicolas Africano

Study for "May - Before the Storm, Still Human", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length portrait of a man in a wide rimmed hat, clothed from the waist down; he holds a bushel of flowers in his PL hand and faces the viewer; the words "May before the storm" inscribed, UR; grey and green background

%C2%A9 Nicolas Africano

Study for "May - Before the Storm, Still Human", 1990

Nicolas Africano

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Calla Lily, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View
From a suite of five prints.

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Buoy Landscape II, 1982

Sam Gilliam

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Paul Wadina, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View
Abstract expressionist composition; predominantly red with areas of blue

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Last Coffee Thyme, 1981

Sam Gilliam

Not on View
Color trial/state proof for first panel

%C2%A9 Estate Shusaku Arakawa

Tomb of Chance 1, 1982

Arakawa (Shusaku Arakawa)

Not on View

%C2%A9 Frank Big Bear

Autumn Delight, 1988

Frank Big Bear; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 1983 Steven Sorman

Each (Other) -- Against, 1983

Steven Sorman

Not on View

%C2%A9 T. L. Solien

The Three Sailors, 1982

T.L. Solien

Not on View

%C2%A9 1982 Steven Sorman

Going Back to Look in the Mirror, Again, 1982

Steven Sorman

Not on View

%C2%A9 1982 Steven Sorman

The Letter from Matisse, 1982

Steven Sorman

Not on View

%C2%A9 1981 Steven Sorman

One (no two), 1981

Steven Sorman

Not on View
Full length portrait of a man in a wide rimmed hat, clothed from the waist down; he holds a bushel of flowers in his PL hand and faces the viewer; "May Before The Storm/Still Human" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "May - Before the Storm, Still Human," from the portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View

%C2%A9 1980 Steven Sorman

What's This, What's That, 1980

Steven Sorman

Not on View

%C2%A9 Estate Allan D%27Arcangelo %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Study for 'Minnesota Morning', 1978

Allan D'Arcangelo

Not on View
From a suite of five prints.

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Buoy Landscape III, 1982

Sam Gilliam

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Sonia Resika, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

%C2%A9 T. L. Solien

New Dance Ensemble: Debut!, 1982

T.L. Solien

Not on View

%C2%A9 1982 Steven Sorman

Going Back to Look in the Mirror, Again, 1982

Steven Sorman

Not on View
Final proof

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Lattice, 1982

Sam Gilliam

Not on View
From a suite of five prints.

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Buoy Landscape IV, 1982

Sam Gilliam

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Paul Wadina, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

%C2%A9 1983 Steven Sorman

Each (Other) -- For, 1983

Steven Sorman

Not on View

%C2%A9 1983 Marcia Scanlon

Pine Hill, 1983

Marcia Scanlon

Not on View
Color trial/state proof for first panel

%C2%A9 Estate Shusaku Arakawa

Tomb of Chance I, 1982

Arakawa (Shusaku Arakawa)

Not on View

%C2%A9 Estate Adja Yunkers

Immobile Sun XXI-B, 1982

Adja Yunkers

Not on View
From a suite of five prints.

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Buoy Landscape V, 1982

Sam Gilliam

Not on View
Macabre scene featuring a large foot, center, with long claws and a nail protruding from its sole; the top half of a face, LL; two small birds in background; hanging chain on R; orbits in the UL and URQs

%C2%A9 T. L. Solien

Untitled, 1981

T.L. Solien

Not on View
Sculptural abstraction featuring a large elliptical object with black spiraling lines around its center; light blue circles throughout

%C2%A9 John Newman

Fold-Out, 1985

John Newman

Not on View

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